Believing in Yourself: The Wild Book

Lesson 2
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ELA

Unit 5

4th Grade

Lesson 2 of 19

Objective


Explain how the narrator feels about word-blindness. 

Readings and Materials


  • Book: The Wild Book by Margarita Engle  pp. 1 – 16

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Target Task


Writing Prompt

How does Fefa feel about her word-blindness? Support your answer with two to three specific examples from the poems. 

Sample Response

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Key Questions


Key Questions

  • In the poem "Word-Blindness," why does the author repeat the word "word-blindness"? What does it signify?  

  • What does the comparison, "The letters will jumble and spill off the page, leaping and hopping, jumping far away, like slimy bullfrogs" (p. 5) illustrate? 

  • In the poem "School," why does the author capitalize the words OUT LOUD? What emotion is she trying to convey? 

  • Based on the poem "School," how does Fefa feel when she has to read at school? Why does she feel that way? 

  • In the poem "Homework," how does Fefa feel when she has to do homework? Why? 

  • In "Frog Fear," what does the description "the skin of a frog feels just as slippery and tricky as a wild inky word" (p. 9) mean? 

  • In "Homework Fear," why does the narrator repeat the word "why" in the last stanza? 

  • In "Word Towers," how does Fefa's Mamá feel about words? How does that make Fefa feel? Why? 

  • In "Slow Down," why does the author put one word on each line? What emotion does this convey? 

Exit Ticket

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Vocabulary


anxious

adj.

(p. 5)

to be afraid or nervous about what may happen

burden

n.

(p. 4)

something heavy that is carried, either physically or emotionally

dread

v.

(p. 3)

to fear that something will or might happen

vanishing

v.

(p. 8)

to disappear entirely

triumph

n.

an important victory

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Common Core Standards


  • RL.4.3 — Describe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions).
  • RL.4.5 — Explain major differences between poems, drama, and prose, and refer to the structural elements of poems (e.g., verse, rhythm, meter) and drama (e.g., casts of characters, settings, descriptions, dialogue, stage directions) when writing or speaking about a text.

Supporting Standards

L.4.4
L.4.5
RF.4.3
RF.4.4
RL.4.1
RL.4.4
RL.4.10
SL.4.1
W.4.10
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